Forging a new fashion trail with Suzanne Rae’s Fall/Winter 2012 collection.
There’s a new frontier in fashion – a glamorous harkening back to the simply beautiful and designer Suzanne Rae is the perfect pioneer. She’s personable, a true philosophizer, a family girl and constantly evolving toward what she calls a “higher consciousness.”
It’s this clear consciousness that came through her Fall/Winter 2012 collection showcased at Mercedes-Benz Fashion Week in collaboration with the W Hotels Fashion Next Showcase. In her fourth season showing here, she’s no stranger to hard and high fashion. And, it shows.
The impeccable detail to pieces like her fur print bias gown with “Suzanimal,” as Rae affectionately calls it, (see below), is silk screened to look like real animal fur yet she assures, it’s entirely fur free. The “Suzanimal,” a wolf pelt stole, follows the same silk screened printing process and is then layered on a bed of wool – all sketched out pre-production by biologist-turned-artist Sam Dakota.
For Rae it’s each little element that makes a piece, which is why we couldn’t stop staring at her cowl backs, fringe backs and cotton tails, nearly more riveting than their front-facing counterparts.
Titania Inglis, winner of this year’s Ecco Domani Fashion Foundation Award in Sustainable Design, gets street cred with her first New York Fashion Week show.
The show started early for Titania Inglis. Bedecked in black – lots of stylized black – guests waited upbeat, mingling behind black curtains. It was Inglis’ inaugural New York Fashion Week show, made possible by her recently announced 2012 win of the Ecco Domani Fashion Foundation Award in Sustainable Design. It was clear that something award winning was about to take place. And, it felt as if we were part of Inglis’ cheerfully somber production. So, like good cast members we waited in the entryway of the Eyebeam Art & Technology Center, a non-profit enterprise and one of the country’s leading media art centers.
The stage was set for Inglis’ own shade of black, uplifted and far from bleak – a seamless blend of preppy plaid and gothic darkness. It was as if two, vastly separate, high school cliques instantly merged into one, very cool and non-cliquey band of fashion mavens. So, it came as no surprise when I overhead Inglis characterize her collection as “My So Called Life all grown up.”
Street-tough models bedecked in vegetable tanned leather from a farm in France, (where they guarantee the entire cow has been used, from food to fashion), in herringbone, recycled cotton plaids, asymmetrical skirts and soft fabrics like raw Japanese silk and Cupro glided by effortlessly.
For the complete article and snapshots from the show, please visit my post on Ecosalon…
(Photos by Jennifer Barckley of Organic Girly.)
Pratt fashion alumni celebrate timeless fashion for a new exhibit.
Pratt, one of the world’s leading design institutes and the oldest in the U.S. (this year marks its 125th anniversary), kicked off its retrospective “Principles of Design: Pratt Fashion Alumni,” on Fashion’s Night Out (September 8th), exploring future-facing lessons from past and present design talent.
Pratt is home to cutting-edge, cosmopolitan design from the likes of Mabel Julianelli (BFA 1927), Samantha Pleet (BFA 2005), Ariana Bohling (BFA 2005), Laurel Mae DeWitt (BFA 2005) and Siobhan Barrett (BFA 2009), all talents among the 19 on exhibit at the Pratt Manhattan Gallery from now to October 8th.
Samantha Pleet’s Shadow Cloak (on sale this Fall at Anthropologie.com)
At the opening night gala, I caught up with Sarah Scaturro, Textile Conservator for the Cooper-Hewitt National Design Museum and guest curator for the Pratt exhibit. “There is such incredible design all around us tonight,” says Scaturro. “My main work [for the Cooper-Hewitt] is to preserve clothing and fashion that lasts, so I’m clearly interested in timeless fashion – something strongly reflected here, tonight.”
Please enjoy my complete coverage at ecosalon.com! Thank you!
John Patrick showed his 19-piece, spring 2012 collection on a rainy New York morning just steps from the Hudson River. With a diverse troop of models looking relaxed and even happy, Patrick’s presentation was in stark contrast to what one usually identifies with New York Fashion Week shows.
Patrick says, “I don’t do trends,” allowing him to take the idea of sustainability to his own metropolis where other designers want to emulate him and where in fact, he becomes the trend setter. Patrick says this collection comes from his personal quests: “It’s about going on a journey, but you don’t know where you’re going. It’s where I am in life.” If not by intent, his designs nonetheless feel very relevant – light, ethereal and make for an effortless and natural life. For the complete article, please visit ecosalon.com. Many thanks to Amy & Sara @ ecosalon!
